9 posts - 5 authors - Last post: Sep 15, 2003Aspect ratio 1.37 : 1 (negative ratio) 1.85 : 1 (intended ratio) Richard, what do they mean by 'negative ratio' and 'intended ratio'? .

Apr 10, 2009 – Q: I recently learned that many movies are made without anamorphic lenses, and the camera negative that has a 1.37:1 aspect ratio is matted .

The "Academy ratio" of 1.37:1 was used for all cinema films until 1953 (with the . allowing a larger horizontal negative size per frame as only the vertical size .

3 answers - Dec 17, 2006Top answer: 1.33 : 1 is 4:3 (old , SD TV) 1.37:1 is a slightly wider screen, but not true widescreen (16:9) (1.77:1)

The Academy ratio (1.37:1 before a soundtrack was incorporated onto the film) . . of 2.35:1 would apply since there was never a 65/70mm negative involved in .

4 hours ago – Aspect ratio. 1.37 : 1 (negative ratio); 1.66 : 1 (theatrical ratio, Europe); 1.85 : 1 ( theatrical ratio, USA). The estimated budget for The Shining was .

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Paramount was the first to break away from the traditional 1.37:1 aspect ratio . . Todd-AO used 65mm film in their cameras but the negative was then printed .

Apr 5, 2003 – Now it appears IMDB has modified their information and they say 1.37:1 is the negative ratio but 1.66:1 is the intended ratio. Am I splitting hairs .

14 posts - 6 authors - Last post: Oct 26, 2006Aspect ratio 1.37 : 1 (negative ratio) 1.85 : 1 (intended ratio) I don't understand the meaning of the Aspect Ratio info. What is a negative ratio .

On 35mm film, the frames for the negative are made with an aspect ratio of 1.37:1 , (which as we now know, is roughly the shape of a standard television set), .

The aspect ratio of a standard 35 millimeter frame is around 1.37:1, although . . film into a 4:3 aspect ratio television image is to "pan and scan" the negative. .

This resulted in a projection aspect ratio of 1.37:1. . shoot with a hard matte in the camera which would result in the desired aspect ratio on the original negative . .

The original negative ratio of the films is 1.37:1 which is APPROXIMATELY the same as the aspect ratio of your TV set. The films were. Read the full review › .

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Mar 10, 2011 – The aspect ratio of a film is the ratio of the width of the film image to its height. . in and established the slightly larger 1.37:1 ratio in 1931 however, by . width of the film negative, width of the positive print and the addition of .

Ratio: 1.37:1 [negative ratio]; 1.66:1 [intended ratio for European prints]; 1.85:1 [ intended ratio for US prints] Sound: mono. Cast. Sean Connery [James Bond] .

The original negative ratio of the films is 1.37:1 which is APPROXIMATELY .

The films were shot with Anscocolor negative [whose characteristics include: fine grain, low speed, low contrast and soft blues in outdoor . aspect ratio: 1.37:1 .

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Aspect ratio. 1.37 : 1 (negative ratio) 1.85 : 1 (intended ratio) 1.85 : 1 ( negative ratio, special effects). Related Links .

Two prints on half-width stock were processed from this negative, and one was . with an aspect ratio of about 1.37:1, 22 mm by 16 mm (0.866 in × 0.630 in). .

Aspect Ratio: Full Screen (Standard) - 1.37:1. Edition Details: Disc 1: . . to original negative as modern fine grain film stock of today, which can produce not just a .

The orignal negative aspect ratio of Lyndon is 1.37:1 and, as far as I know, Kubrick composed the film with this in mind. The intended aspect ratio for the .

As for FMJ, the negative had a ratio of 1.37:1 and was matted for theatres to the now standard 1.85:1. The DVD gives you the full negative ratio. The blurb about .

System, Aspect Ratio, Gauge. Negative, Print. Standard 16mm, 1.37:1, 16mm, 16mm or Optical 35mm. Super 16mm, 1.65:1, Extended 16mm, Optical and .

13 posts - 6 authors - Last post: Aug 25, 2007I saw part of "Back to the Future III" on cable and lookd it up on IMDB, which reported. Aspect ratio 1.37 : 1 (negative ratio) .

Oct 4, 2004 – The actual ratio for standard 16 are 1.37:1 for the negative, 1.33:1 for the print. For super 16, the negative is 1.66:1 or 1.69:1 depending whether .

Jump to History‎: Silent films were shot at a 1.33 aspect ratio, with each frame using all of .

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10 posts - 4 authors - Last post: Mar 10"Bambi" was made in 1942 and was filmed using the old Academy Standard aspect ratio of 1.37:1 and that is the aspect ratio used on the DVD .

1.37 : 1 (negative ratio) 1.75 : 1 (intended ratio). Voices (English). Actor Character . Phil Harris Thomas O'Malley. Eva Gabor as Duchess. Roddy Maude-Roxby .

9 posts - 7 authors - Last post: Jul 6, 2002Aspect ratio 1.37 : 1 (negative ratio) 1.66 : 1 (intended ratio, Europe) 1 .

16 answers - Sep 30, 2006(The original) The Shining : filmed on a 1.37:1 negative for display on a . ratio of the original camera negative, as Stanley Kubrick intended. .

The 1.37:1 aspect ratio remained unchallenged until 1953, following the . in color printing at Technicolor and the higher definition of their large format negative. .

May 31, 2011 – But suddenly, I realized that the issue of the “right” aspect ratio for a film can be . the home video transfer used the full 35mm frame, which is 1.37:1. . on how much image was actually exposed onto the original negative. .

Mar 26, 2007 – So the image actually on the 35mm negative has a ratio of 1.37:1. If you were to hold up a strip of this film and look at it, each frame would .

May 14, 2011 – Hence, after that he shot his films with a 1.37:1 negative aspect ratio. US theaters couldn't do 1.66:1 so US theatrical is 1.85:1, European .

May 3, 2010 – The aspect ratio of a screen is its width-to-height ratio. . 1.37:1 (aka “Academy Standard Flat”) This is the frame size of standard . This aspect ratio can be shot using a 3-perf 35mm camera without wasting any negative. .

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9 posts - 4 authors - Last post: Sep 6, 2010Also according to IMDB, the aspect ratio is. 1.37 : 1 (negative ratio) 1.85 : 1 (intended ratio) The fact that it was not shot at 1.85:1 .

. frame, and the "Academy aperture" with an aspect ratio of 1.37:1. . good, thanks to the large format negative and the Technicolor processing and printing. .

Sep 4, 2006 – I'd like to get things underway with a look at a ratio that should be . . This is how the image would look if the entire 1.37:1 negative were to be .

Stanley Kubrick composed and shot this film in the negative ratio (1.37:1) format so that in TV we see it in 1.33:1, but in the cinemas wee see it in 1.85:1 (aspect .

Film negative format (mm/video inches). 35 mm (Eastman 100T 5254) .

Thirty-five millimeter motion picture film has an aspect ratio of 1.37:1, meaning it is . However, widescreen is 2.39:1, meaning it is wider than the film negative. .

Ratio: 1.37:1 [negative ratio]; 1.66:1 [intended ratio for European prints]; 1.85:1 [ intended ratio for US prints] Sound: Mono. Cast. Sean Connery [James Bond] .

Film negative format (mm/video inches). 35 mm. Cinematographic process . 35 mm. Aspect ratio. 1.37 : 1 (negative ratio) 1.85 : 1 (intended ratio). Related Links .

15+ items – ChiaroScuro presents. Eyes Wide Shut .

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