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Alexander Gordon (Tarkovsky's brother-in-law) 1967. Duration: Aspect Ratio 1.37 :1, Format 35 mm B/W. According to Alexander Gordon's Memoirs: – Tarkovsky .
The aspect ratio of a standard 35 millimeter frame is around 1.37:1, although cameramen may use only the part of the frame which will be visible on a television .
In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film. .
1.33:1 Original Aspect Ratio Average Bitrate: 6.50 mb/s. NTSC 704x480 29.97 f/s. 1.37:1 Original Aspect Ratio Average Bitrate: 6.90 mb/s. NTSC 704x480 29.97 .
Broadcast, tape and DVD versions are in the television standard 1.33:1 aspect ratio, which shaves off image on both sides from the 1.37:1 theatrical release. .
and grouped together by Aspect Ratio & Sound Format. FILMED IN 1.37:1 ( ACADEMY RATIO) W/Mono Sound (Except for Fantasia) ------------------------------ .
3 posts - 2 authors - Last post: Mar 31, 2004Q: I want to resize a image file (in Paint) to have an aspect ratio of 1.37:1 ( as in vintage movies) Could you tell me the pixel value: 1. .
The aspect ratio was 1.37:1, only slightly different than the larger 1.33:1 silent ratio frame that had been used for almost three decades. The camera aperture was .
Aug 28, 2011 – They still use 35mm film with a 1.37:1 aspect ratio, however, so they have to somehow impose another aspect ratio on that film. There are .
The long established film aspect ratio is still retained for narrow gauge film is 4:3 ( or a ratio of 1.33:1. With masking this is projected at a ratio of 1.37:1). .
Jump to History: Silent films were shot at a 1.33 aspect ratio, with each frame using all of .
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Academy format 35 mm film (standard non-anamorphic full frame with sound tracks in the image area) has an aspect ratio of 1.37:1, which is not as wide (or, .
May 3, 2010 – While no films are distributed in this format many projects are shot in 1.37:1 and matted (or cropped) horizontally to fit other aspect ratios. 1.66:1 .
14 posts - 11 authorsRemember that we do not use the original aspect ratio. Instead we use the aspect ratio used on DVD. Therefore whenever you want to enter 1.37:1 you should .
32 posts - 15 authors - Last post: Jun 6A frame of 35mm film has a native aspect ratio of 1.37:1. Old movies like Gone with the Wind and The Wizard of Oz were shot this way, in what .
The pre-1950 standard was 1.37:1 and filmmakers around the world were more . The film was eventually released in 1956 in a theatrical aspect ratio of 2.55:1. .
If the display has a "wider" aspect ratio than the film (1.37:1 Motion Picture Academy standard pre-1950ish, progressively wider since then), you have black bars .
Jan 1, 2004 – However, Song of the South was filmed in 1946 when the standard aspect ratio was 1.37:1 or 1.33:1 (the same aspect ratio as, say, .
Sep 4, 2006 – Well, those numbers are aspect ratios, and they are used to describe . Just as with the Academy Standard ratio of 1.37:1, the 1.85:1 ratio uses .
. area was an inch wide and three quarters of an inch high, producing a ratio of 1.37:1. . The Aspect Ratio is the relationship between the width and height. .
Aspect ratios of 2.39:1 or 1.85:1 are normally used for movies, while the . full 35 mm film frame with soundtrack (known as 'Academy standard') is around 1.37:1. .
This is the aspect ratio used for movies in the “silent era” and used nowadays for film production under the nomenclature Super 35. 4:3 is close to the 1.37:1 .
Mar 20, 2008 – 1.33 (often referred to as 'academy', and more accurately 1.37:1) is basically the aspect ratio from the earliest days of silent cinema, and the .
Nov 18, 2008 – So I was thinking of purchasing justice league season 1 for bluray, but I noticed people complaining of it being 1.33:1 aspect ratio, does that .
4 posts - 3 authors - Last post: Mar 31, 2004Here's a question about image files: Q: I want to resize a image file (in Paint) to have an aspect ratio of 1.37:1 (as in vintage movies) Could you.
View Room for One More, 1952, directed by Norman Taurog, with Cary Grant, Betsy Drake, Lurene Tuttle, in its original . THEATRICAL ASPECT RATIO: 1.37 : 1 .
Academy ratio (1.37:1) was used for the majority of films made between the 1930s and 1950s (and is roughly 4×3). It is also a common aspect ratio for standard .
1.33:1 A standard television set; roughly equivalent to 4:3. 1.37:1 Referred to as the academy aspect ratio. The standard for films shot before the mid-1950s. .
Dec 20, 2002 – Today, cinematographers use aspect ratios of 1.33:1, 1.37:1, 1.66:1, 1.78:1, 1.85: 1, and 2.35:1. Each ratio is increasingly wider, and which you .
The Academy ratio (1.37:1 before a soundtrack was incorporated onto the film) was the primary original aspect ratio. Most movies (if not all) that were released .
The film itself is 35 mm wide (1.38 in), but the area between the perforations is 24.89 mm×18.67 mm (0.980 in×0.735 in), leaving the de facto ratio of 4:3, or 1.3:1 .
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3 answers - Dec 17, 2006Top answer: 1.33 : 1 is 4:3 (old , SD TV) 1.37:1 is a slightly wider screen, but not true widescreen (16:9) (1.77:1)
Commonly used: The common aspect ratios used are 1.33:1, 1.37:1, 1.43:1, 1.50: 1, 1.56:1, 1.66:1, 1.75:1, 1.78:1, 1.85:1, 2.00:1, 2.20:1, 2.35:1, 2.39:1, 2.55:1 .
35 mm (Eastman 100T 5254). Cinematographic process. Spherical. Printed film format. 35 mm. Aspect ratio. 1.37 : 1 (negative ratio) 1.66 : 1 (intended ratio) .
This was very close to the original 1.33:1 silent screen shape that had prevailed since the early part of the 20th century. The 1.37:1 aspect ratio remained .
5 posts - 2 authors - Last post: May 14Just wondering, the aspect ratio of the movie was 1.37:1, but it's listed as 1.66:1 everywhere I read (IMDB, Amazon, etc). Did netflix show it in .
Aug 19, 2010 – Some folks feel that since Hitchcock shot the film using a 1.37:1 aspect ratio for composition that must have been the way that the director .
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This comes close to the 1.85:1 aspect ratio that is the usual aspect ratio used in . . was actually made very slightly wider by this, giving an aspect ratio of 1.37:1. .
Mar 6, 2000 – I'm sure by now, most of you know that when you go to see a movie in a . a standard aspect ratio of 1.33:1 (technically, it was actually 1.37:1, .
5 posts - 3 authors - Last post: May 13, 20071.33:1, 1.37:1, 1.43:1, 1.85:1, 2.00:1, 2.2:1, 2.39:1, to name a few. When I shot film, the aspect ratio was usually determined by the film gate I .
Film Gauge: 35mm. Direction of travel: Vertical - four perforations - 24 fps. Aperture Dimensions: 0.825" x 0.600" nominal. Aspect Ratio: 1.37:1 .
This resulted in a projection aspect ratio of 1.37:1. Various flat image wide-screen formats were developed in the 50's to compete with the newly-introduced .
Jump to Practical limitations: . mm (0.980 in×0.735 in), leaving the de facto ratio of 4:3, or 1.33:1. . of 22 mm × 16 mm (0.866 in × 0.630 in) or 1.37:1 aspect ratio. .
Aspect ratios of 2.39:1 or 1.85:1 are frequently used in cinematography, while the aspect ratio of a sync-sound 35 mm film frame is around 1.37:1 (also known as .
“I felt like the square [aspect ratio] gave you an idea of the closed view that the . film in the academy ratio (which technically is 1.37:1, but ostensibly the same as .
This tool will help you calculate aspect ratios and pixel dimensions of video footage. . 1.33:1 (4:3 video), 1.37:1 (Academy ratio), 1.43:1 (IMAX), 1.5:1 (3:2 video) .
Sep 23, 2009 – Most of these aspect ratios do not match the exact aspect ratio of your widescreen TV. Most older movies were made primarily in the 1.37:1 .
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